The essential element of all analog consoles is the Channel Strip and the philosophy behind it is to be able to be efficient, fast, and making things sound great already from the start. When Flux designed the EVO Channel they wanted it to be as efficient and as fast and hands-on as a channel is on a console, and in addition presenting the advantages with creative digital innovation in terms of workflow and sound, to in the end provide everything you need to stay in control of your sound!

Now Available – All EVO elements as separate plugins with AAX DSP support*

* EVO Channel available in AU/VST/AAX Native only

Details

Gain / Drive
Restores the life and vitality

A well-managed Gain structure is paramount for creating an optimized signal-chain. In all the EVO plugins a signal Drive, designed to add a soft saturation and warmth to the material, is available directly at the input Gain for restoring and maintaining the vitality of the sound.

EVO In
Reframes the sound together

One of the most crucial parameters to take into account; Phase, or “The art of using multiple microphones on one and the same sound source”, a classic example is when setting up the sound for a drumkit.

Controlling the Phase of microphones is universal and relevant both for studio and live use. In EVO Channel and EVO In, an Arbitrary and Linear Phase Rotation throughout the spectrum is provided, to accomplish the same natural thing as when physically moving a microphone.
The Phase is the result of Flux:: proprietary research, this unique algorithm allows linear phase correction* with zero latency.

*By activating the phase module on all of the tracks that were recorded at the same time and in the same room.

EVO EQ
The canvas for painting the colors

One of the cornerstones in a Channel Strip is a well-built, efficient and complete Equalizer.

The equalizer in the EVO Channel and EVO EQ is a straightforward comprehensive 4-band parametric equalizer with an additional low/high shelf and a 6-24 dB low/high cut filter.

The graphical interactive EQ curve is layered on top of the built in Spectrum Analyzer for hands-on editing with direct connection to the visual response.

The spectrum analyzer originates from the FLUX:: Analyzer and has been optimized for the EVO Channel and EVO EQ. It gives you an accurate direct view of what’s going on in the different frequency domains of your material.

EVO Compressor
The Sound Attitude Generator

In addition to controlling the signal dynamics, the compressor is often used for shaping the attitude of a sound. To use a compressor in a creative and artistic fashion it’s important that it’s easy to use and has the ability to create an interesting sound.

The EVO Channel and EVO Compressor offers a wide range and variety of sound with nine different compression modes, and a Wet / Dry control for adjusting the level of compression, allowing for parallel compression within the module.

EVO Touch
The icing on the cake that brings out the magic !

The Final Touch – EVO Touch, also available in EVO Channel, is a polymorphic section offering a variety of different processors designed to adapt to the requirements of the material, with seven different processing modes including a frequency dependent DeEsser, Expander and a Transient and Sustain Designer.

Multichannel, Dolby Atmos®, Ambisonics & High Resolution Support

The EVO Series plugins are designed to support mixing and creation of multichannel surround and immersive audio content.

Dolby Atmos® with up to 10 channels and has support for the AVID Pro Tools Dolby Atmos® 7.1.2 / 7.0.2 Track and Bus.

Third order Ambisonics with up to 16 channels and the AVID Pro Tools new bus and track formats for first, second and third order Ambisonics, for creating and manipulating Ambisonic audio and mixes, is supported.

High Resolution DXD Audio with sampling rates up to 384 kHz is supported.